Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Jan Van Kessel the Younger
A still life of tulips, a crown imperial, snowdrops, lilies, irises, roses and other flowers in a glass vase with a lizard, butterflies, a dragonfly a

ID: 98317

Jan Van Kessel the Younger A still life of tulips, a crown imperial, snowdrops, lilies, irises, roses and other flowers in a glass vase with a lizard, butterflies, a dragonfly a
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Jan Van Kessel the Younger A still life of tulips, a crown imperial, snowdrops, lilies, irises, roses and other flowers in a glass vase with a lizard, butterflies, a dragonfly a


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Jan Van Kessel the Younger

1654-1708 Dutch Jan Van Kessel Gallery   Related Paintings of Jan Van Kessel the Younger :. | Still life of a watermelon,pears,grapes and melons,plums,apricots and pears in a basket,with a dog surprising a monkey and fraises-de-bois spilling ou | Portrait of a Family in a Garden | A still life of tulips, a crown imperial, snowdrops, lilies, irises, roses and other flowers in a glass vase with a lizard, butterflies, a dragonfly a | Portrait of a Family in a Garden | Gemalde Der Erdteil Afika |
Related Artists:
Jacometto Veneziano
Italy (Venezia 1472 -1497 ) - Painter
Edward Robert Smythe
British 1810-1899
Nicolas Poussin
French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.






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